main

 

     
   
     
 
   
Opening Night Feature

CRUDE
Director: Joe Berlinger
105 Minutes * Documentary Feature

Three years in the making, this shocking investigative documentary by
acclaimed filmmaker Joe Berlinger (Brothers Keeper, Paradise Lost,
Metallica: Some Kind of Monster) tells the epic story of one of the
largest and most controversial legal cases on the planet—the infamous $27
billion "Amazon Chernobyl" case.
Do you like eating asphalt and drinking petroleum? Neither do the natives of the Ecuadorian Amazon. Chevron, over a period of 3 decades has dumped over 18 billion gallons of toxic wastewater into the rivers, landfills, and underneath house. All of the wastewater and muck goes into the water streams, and pollutes the soils of the lungs of the earth, the rainforest.
All this pollution causes cancer, birth defects, and kills many animals
and plants. There is no clean water in the Ecuadorian Amazon either.
That’s why we need you! Donate today and help us reach our goal of
$50,000 to give to the Rainforest Foundation to help Amazonians get clean
through water filters.



A TRIBUTE TO MICHAEL JACKSON – “Black or White” Music Video

In Loving Memory of Michael Jackson

Michael Jackson, was a childhood friend to Joanelle Romero, founder of Red
Nation Film Festival, she was instrumental in the creation of the Native
American dance scenes for Michael Jackson’s music video “Black or White
1991. To date these American Indian dancers were the highest paid dancers
in music video industry. The jingle dress dancer in Black or White, is
Joanelle’s daughter Sage (she was 5 years old then). Michael took hours
and hours of photos of Sage while shooting the video and he used her image
in his painting of angels at his Neverland Ranch. Michael Jackson was the
leading force that launched Joanelle’s production company in 1991, which
is the first American Indian women’s production company and since the
production company's inception, has become an award-winning independent
film production company. Joanelle Romero has known Michael since they were
10 years old.



EXCLUSIVE Closing Night Feature

The Twilight Saga
NEW MOON
Director: Chris Weitz
130 Minutes * Feature

New Moon starts at the Cullen's house on Bella Swan's eightenth birthday.
As she opens a gift, the wrapping paper gives her a paper cut. Jasper, the
newest vampire to take up the non-human diet leaps at her, and Edward
jumps in between them to save her. He later decides to make a
heart-wretching desicion to move away and leave Bella because he and his
family are too dangerous for her. He lies to her and convinces her that he
doesn't love her anymore. This destroys her. She lives her life for months
without really living. She is in a "zombie-like" state because she just
stayed in the house and didn't socialize. it is only until she goes to the
movies to please her father Charlie that something happens. While walking
around at night, she sees a group of drunken men. She walks up to them,
remembering when Edward saved her from them. As she walks closer, she
hears Edward's voice in her head telling her not to do anything stupid.

She later discovers that whenever she does anything reckless or stupid she
hears his voice subconsciously. When she drives down the street and sees
two run-down motocycles, she automatically thinks of her Native-American
friend Jacob Black to fix up the bikes. She though that would be the
perfect stupid thing to do to hear Edward's voice again. She starts to get
a life back while hanging out with Jake and doing dangerous things.
Victoria comes back to Forks avenging her mate James things are only
getting more dangerous for Bella, but she doesn't care. She is fed up and
wants to do something so reckless and stupid to hear his voice for days.
She jumps off a cliff, into a river because Jake said he would take her
cliff diving. Victoria is in the river, and she almost drowns, but Jake
saved her, because he is now a werewolf! Alice Cullen sees her jump off
the cliff in a vision and thinks she is dead. She contacts Edward who is
heart-broken. He rushes to Italy to the Volturi to be killed. But Alice
and Bella fly to Italy and save him. Edward promises to never leave her
again and to always look after her especially because of Victoria. So the
Cullens move back in and order is restored.



RED NATION FILM FESTIVAL SHORT

Director: Montano Rain & Joanelle Romero
Editor: Montano Rain
10 Minutes

Red Nation Film Festival Trailer of CURRENT and previous years Red is
Green Carpets Events November 2008, Pre-Ocsar Screenings, On The Road New
Mexico August 2009.



A JOURNEY THROUGH OUR MOTHER

Director: Montano Rain
1 Minute

The upcoming movie a Journey Through Our Mother is a trip to see what our Mother Earth's inhabitants and the animals are doing with global warming, and its purpose is to convince the human race that something needs to be done to help our Earth.



RED IS GREEN Environmental PSA

Director: Joanelle Romero
.30 Seconds

American Indians Placed at the Forefront of Global Green Movement.

Not since Iron Eyes Cody, 38 years ago, has there been an American Indian Environmental PSA – UNTIL NOW



THE UNIFICATION OF WISDOM

Director: Cassidy Rast
10 Minutes
We have arrived at an essential period in our history. It is necessary and
crucial that we recognize the indigenous people of the world. If we lose
the indigenous keepers of the land we will lose ourselves. The native
peoples of the land in the world are the record keepers of Mother Earth.
The time is now to recognize that we must preserve the wisdom of the
record keepers or else their voice will be forever lost.

This film explores and pulls together the heart of Mayan wisdom and
indigenous prophecies. The title came from the inspiring Mayan elder known
as Tata Pedro Cruz. The current state in our World is one of wonderment
and uncertainty, excitement and redevelopments on many levels and scales.
It is through this film that the four directions of the planets are
brought together and the greatest indigenous prophecies are shared for all
to learn from. Outside of indigenous consciousness there is a new
awareness taking shape in the minds of people all over the world. Many
people from the Western (New) world are beginning to believe that the end
date of 2012 in the Mayan Calendar signifies a doomsday prophecy or end of
the world. We are here to share a different story.
The Unification of Wisdom is a vessel to help establish the connection each one of us has to the Mayan calendar and the wisdom from all four corners of the earth. The heart of modern day Mayan culture is explored in this film and for the first time looks at what Mayan beliefs are in regard to what the end of the Mayan Calendar means. As Time carries our lives
closer to the unraveling of the Great messages contained in the Mayan
prophecies we can observe the truth that they carry. We see that there is
a correlation amongst many other indigenous cultures and in this message
we bring forth the unification of wisdom. A bridge will be built for those
viewing this film that will blend worlds and cultures together through
making clearer the reality that we are not all that far from each other,
and when we return back to the earth, we return home.



DREAMKEEPER The Myths & Legends of the American Indian.

Director:Steve Barron
Starring: Eddie Spears, Ali Sage Galesi,
86 Minutes * USA * Feature

The film opens with Eagle Boy, a young man who is on a vision quest. It
then cuts to the present where seventeen-year-old Lakota named Shane
Chasing Horse is living on the Pine Ridge reservation. He is in trouble
because he owes some money to a local gang, money he used to buy a
beautiful ring for Mae Little Wounded, a girl he likes. Meanwhile, his
mother asks him to drive his grandfather Grandpa Pete Chasing Horse, a
storyteller, down to the powwow. Shane is reluctant. However, when the
gang comes after him, Shane changes is mind and heads out to the powwow
with his grandfather, who agrees to give him his truck once they reach the
powwow.

Grandfather tells Shane the story of a young Lakota man who tries
to win the hand of Bluebird Woman. He also tells the story of how a
thunder spirit falls in love with a Mohawk woman and brings her up into
the ethereal world of Sky Woman, and of how she raised their son back in
her village until he was struck by one of the villagers and brought back
to live with his father. Later, when a young redheaded man who is eager to
learn about Native culture and hoping to be adopted by a Native American
family asks to ride with them to the powwow, Shane says no. His
grandfather then tells him the Kiowa story or Tehan, a white man who lived
among the Kiowa and fought bravely alongside them, and Shane relents and
lets the redhead ride with them. Shane’s Grandfather then tells how Eagle
Boy follows the advice of a shining spirit elk, and seeks out an old woman
who can give him weapons with which to slay the mighty serpent Unceliga.
He is repulsed when the ugly old woman embraces him, but reacts quite
differently when she transforms into a beautiful, younger woman. She
reproaches him but gives him what he needs. Eagle Boy slays Unceliga,
whose heart instructs him and grants him great power and prophetic
visions. Eventually, the gang members who are after Shane catch up with them and accidentally drive their car off a cliff and into a lake while chasing
him. Shane dives in and saves them, and his struggle is contrasted with
Eagle Boy’s underwater battle with Unceliga. The gang members ride with
them for a ways, until they and the redheaded hitchhiker leave them in
order to travel with a group of attractive young women who are also headed
to the powwow.As they travel, Shane’s grandfather tells Shane many other stories:
several are about the trickster Coyote and Iktome the spider. Another is
about a young Pawnee man and his mother who are scorned by the rest of
their tribe until the young man finds an unwanted dun pony who brings them
good medicine. As Shane and his grandfather look up at the stars, the
grandfather tells the story of the Quillwork Girl and her seven star
brothers, which is about a Cheyenne girl who puts her faith in a dream and
searches for seven brothers, but who must then contend with the Buffalo
nation. The next story is about a young Chinook woman who sacrifices
herself in order to cure her village of a terrible sickness, and the next
is about a young Blackfoot hunter who cannot let go of the memory of his
father.Shane and his Grandfather continue their journey, losing their truck along
the way and continuing on horseback and on foot. The two become closer.
However, it then turns out that Shane’s grandfather has led them not to
the powwow but to Shane’s father’s (Sam Chasing Horse) trailer home. Shane
is disgusted but is persuaded to stay the night. The next morning Shane
finally makes peace with his father. However, he then becomes
grief-stricken when he discovers that his grandfather has died in his
sleep. Shane decides to continue on to the powwow on horseback, and his
father says that when Shane comes home he’ll be there too. The ending of
Eagle Boy’s story is revealed: Eagle boy decides that he wants to live
like other men, and disobeys the heart by revealing it to the entire tribe
(to whom it appears to be nothing more than an ordinary stone). At the
powwow, Shane takes on the role of a storyteller, and children gather
around him.



BROKEN PROMISES

Director: Melinda Janko
9 Minutes * USA * Short Documentary – Work in Process
“Broken Promises” reports how the U.N. mishandled tribal conflicts in Rwanda resulting in the devastating loss of life and mass killing of nearly one million. Mother-to-be Eugenie Mukeshimana recounts for the first time her harrowing escape from the massacre and the inability of the U.N. to quell the rioting and mass killings.
“It’s not that the U.N. didn’t know what was going on. It’s just that they were told not to do anything,” said Ms. Mukeshimana.Broken Promises takes viewers on an exploration of many international crises from the hostility between India and Pakistan in 1947, to the Arab/Israeli conflicts of the late 1940’s, to the slaughter of millions of Cambodian refugees by Pol Pot in the 1970s and the aforementioned hardships and genocides in Rwanda and Bosnia, to the present day oil for food scandal.



IN THE FOOTSTEPS OF YELLOW WOMAN

Director: Camille Manybeads Tso
27 Minutes * Indian Country * Doc-Drama Short

In the Footsteps of Yellow Woman is about a 13 year-old Navajo filmmaker
who finds her own strengths through interviewing her Grandmother about
their ancestral history. She imagines what it would be like to be her
Great-Great-Great-Grandmother, Yellow Woman, who lived through the Navajo
Long Walk (1864 - 1868).
Camille Manybeads Tso (Navajo) learned the art of film making from the volunteer Indigenous youth media literacy collective, “Outta Your Backpack Media.” Camille has worked with OYBMedia since she was 9, and is currently the youngest youth mentor.Camille researched the time period, wrote a script of re-enactments of her family’s stories, recruited her cousins to help, made costumes, directed, filmed, acted, and edited this piece together. She even sang some of the songs in the soundtrack. The results are a beautiful film of the power of reclaiming oral histories. Performed by the descendants of Yellow Woman
and filmed in many of the places where the events took place.


OUR LAND, OUR LIFE

Director: Gwendolen Cates
74 Minutes * USA * Documentary Feature

Eloquent and visually striking documentary portrait of Carrie and Mary
Dann, two elderly Shoshone sisters, whose thirty-year battle with U.S.
government over the rights to their own land has taken them to the
Supreme Court…and beyond. George Gage, Beth Gage, Directors.
This candid, intimate portrait of ballet great, Jock Soto, follows one
Of the most recognizable and influential dancers of the America stage from
his early roots on a remote Arizona reservation, through a career filled
triumphant performances to his tremendously emotional retirement from
the New York City ballet, at age 40, in 2005.



FOR THE NEXT 7 GENERATION / The 13 Grandmothers

Director: Carole Hart
85 Minutes * USA * Documentary Feature

In 2004, thirteen Indigenous Grandmothers from all four corners, moved by
their concern for our planet, came together at a historic gathering, where
they decided to form an alliance: The International Council of Thirteen
Indigenous Grandmothers. This is their story. Four years in-the-making and
shot on location in the Amazon rainforest, the mountains of Mexico, North
America, and at a private meeting with the Dalai Lama in India, For the
Next 7 Generations follows what happens when these wise women unite.
Facing a world in crisis, they share with us their visions of healing and
a call for change now, before it's too late. This film documents their
unparalleled journey and timely perspectives on a timeless wisdom.



RED NATION "NATIVE YOUTH FILMS"
in Association with INSTITUTE OF AMERICAN INDIAN ARTS / NEW MEDIA ARTS PROGRAM
“Native Student Films”

100 minutes Lumbini Park Directed by Eve LaFountain (Turtle Mountain Chippewa)

A Thousand Unsaid Words Directed by Katrina Montoya (Sault St. Marie Tribe
of Chippewa Indians)

Nizhoni Directed by Annikka Frostad-Thomas (Kenaitze)

The Hand Drum Directed by Stephanie Painter (Shoshone/Washoe/Oneida)

I Never Knew Directed by Nicole Garcia (Navajo Nation)

The Confession Directed by Talia London (Aleut Corporation)

Kokopelli Directed by Melissa McKerchie (Sault St. Marie Tribe of Chippewa
Indians)

Torn Emotion Directed by Jeff Barehand (Gila River/Navajo)

CIA News Directed by Jonathan Sims (Acoma Pueblo)



ON SACRED GROUND

Director: Charro Wongittilin
30 Minutes * USA * Documentary
The peace and serenity that envelops Bear Butte Mountain in South Dakota
seems an unlikely venue for activism. It is here, amid the bucolic
grasses and flowers, the grazing Buffalo and wild life that the stage has
been set for battle.
While not Wounded Knee or Custer’s Last Stand it is still the stuff of history – and just as important to Native Americans. Whether they be
Lakota, Dakota, Nakota, Cheyenne or Cherokee, Bear Butte is a strong
symbol of religious freedom and opposition to the white man’s continued
ignorance, indifference and desecration of sacred Indian sites.“On Sacred Ground” follows the fight of the American Indian Nation and its supporters to overcome this ignorance through legislative efforts, use of media and hitting the pavement informing and enlightening those who, in many cases, have no idea the damage being done by their very presence.There is much to be gleaned from the elders who have gone before and those who would take their place in the hierarchy of the tribal lore. The red man and woman demand nothing - but elegantly requests respect for their beliefs, their shared history and sacred sites.



MARIA TALLCHIEF

Director: Sandra Osawa
57 Minutes * USA * Documentary

Accomplished biography of the legendary Native American ballerina who
began dance lessons at age four in Oklahoma, left her Osage Indian
Community shortly there after to find stardom in the Big Apple and later
became near immortal by helping to establish the New York City Ballet
while serving as the muse for her husband/choreographer, George
Balanchine (The Nutcracker).



PEARL

Director: King Hollis
117 Minutes * USA * Documentary

Pearl Carter's dreams take flight in 1928 when this lively and determined
12-year-old Chickasaw girl from rural Oklahoma meets soon-to-be-famous
pilot Wiley Post. Pearl discovers a passion for the thrills of flying. Encouraged by her father, she soon has her own plane and is piloting businessmen all over
the state. In no time, she is a local celebrity with an established
barnstorming career.
Midway through her teen years she suddenly finds love, and her plans are sent into a tailspin. Can she find balance what she wants and what is expected of her? Must she sacrifice one dream for another, and if so,
which one is more important? Pearl is a film about a daring young girl who, during the pivotal years in her life and United States history, resolves to live without boundaries.
She finds, however, that her unconventional thirst for life sometimes
conflicts with the reality of living it.



THROUGH THE EYES OF THE CHILDREN

Director: Sgt. Barry Gordon
35 Minutes
The video was produced as a training tool for police and RCMP, and also to educate students about the personal stories of abuse and assimilation at former church-run, government-funded residential schools for native children.

The video also includes the historic apology from Prime Minister Stephen Harper made last June in the House of Commons. Harper’s apology represents the the first formal apology from a Canadian prime minister to former students of native residential schools, which started in 1874. About 150,000 children were taught in these type of schools, most of which closed down in the 1970s.



THE CHIEFS PROPHECY: Survival of the Northern Cheyenne Nation

Director: Leo Killsback
59 Minutes • USA • Documentary Feature

Filmed on the Northern Cheyenne Indian Reservation in southeastern
Montana, The Chiefs’ Prophecy chronicles the history of Northern Cheyenne
leadership. From the Creation of the first warrior societies and the
elaborate Council of Forty Four Chief system, and through brutal wars with
the United States Army and the Reservation era, the Northern Cheyenne have
survived. The modern challenges of colonization, loss of culture, and loss
of spirituality have taken toll of the new generation of leaders. The
Cheyenne philosophies of peace (Ma’heo’e) can be a means to rebuild the
broken spirits of the Northern Cheyenne People. What does the future hold?



JARIN - a fable By Jim, Knute, and Red

Director: Myrton Running Wolf
27 Minutes * USA • Live Short

The story is a present-day tale about legendary Native American athlete
Jim Thorpe (Sac-N-Fox) coming back from the past to teach a boy from the
Rez how to play football, and along the way some very hard life lessons.
Jim is joined by celebrated Notre Dame football coach Knute Rockne and
Hall of Fame running-back Red “The Galloping Ghost” Grange.
Although the story deals with some harsh realities of reservation life, the story is primarily a comedy/sport film with an uplifting message.
Initially created for educational purposes (to introduce Native youth to
contemporary and successful American Indians), the completed work has
evolved into a strong stand-alone film.


FOR THE RIGHTS OF ALL: Ending Jim Crow in Alaska

Director: Jeff Silverman & Phil Lucas
56 Minutes • USA • Documentary Feature

In 1867, when the United States purchased the Alaska territory, the
promise of the Constitution and the Bill of Rights didn't apply to Alaska
Natives. Their non-violent struggle to win justice is one of the untold
chapters of the American civil rights movement. "For he Rights of All"
brings this remarkable story to life through dramatic reenactments, new
interviews with witnesses, and a wealth of historic footage and
photographs. Narrated by Peter Coyote.



POW WOW HIGHWAY

Director: Jonathon Wacks
Starring: A. Martinez, Gary Framer, Joanelle Romero
86 Minutes * USA * Feature

Throughout the 1980s and 1990s, former Beatle George Harrison was a
remarkable film producer through his Handmade Films production company.
The company made more memorable films and independent triumphs than most
people realize. Anchor Bay has just issued one of the less-known films
that deserve a much bigger audience. Jonathan Wacks’ Powwow Highway
(1988) is a look at Native Americans trying to deal with their marginalization and troubles, but with some remarkable humor and offbeat touches that merit it more of an audience than it received on first release.
Buddy Red Bow (the underappreciated A Martinez) and Philbert Bono (Gary Farmer) are best friends who are moving through life the best they can, experiencing the usual prejudice over their heritage and struggling for a better life. Besides not being able to get their new car stereo working, they are not able to get their life working. Having to deal with things in a streetwise way, they become stuck in a unique quandary when Buddy’s sister Bonnie Red Bow (Joanelle Romero) gets in trouble. They have not been talking for a long time because she has not been making the best life choices, especially considering she has kids, which gets her arrested and
put into jail. What will they do to get her out? Can they do anything to
get themselves out of their own life trap?What could have been a dull or overly serious film has some moments of greatly timed humor and some moments that really celebrate life.

Based on David Seals book, the Janet Heaney/Jean Stawarz screenplay is nicely paced and gives the actors some fine moments. When a film has the right
combination of story and character like this does, it becomes a unique
experience and takes you somewhere you have not been before. Powwow
Highway really is the road less traveled.



The Ghost Riders

Director: V. Blackhawk Aamodt
70 Minutes

This Critically acclaimed documentary takes you on a journey unlike most so-called Native American docs. Filmed by award winning Native director V. Blackhawk Aamodt, The Ghost Riders is a spiritual journey into the heart of the Pine Ridge Reservation. The Ghost Riders opens up a door to the past, present and future of the Pine Ridge Indian Reservation, one of the poorest and harshest areas in the United States, and the people who struggle to survive there. But surviving is not enough for the proud people whose blood lines go back to Sitting Bull and Crazy Horse, bringing the old ways back and fighting the diseases brought by the new settlers (diabetes, alcoholism and drug abuse) is the new war cry. In 1890 the United States Army massacred over 300 unharmed Lakota Indians, most of who were woman, children and elders, the massacre was said to have broken the sacred hoop. It was then after this tragedy that the Holy man Black Elk proclaimed the people would mourn for 7 generations and that the children of the seventh generation would be the ones to mend the sacred hoop and begin the healing. 
So as it was prophesied, the seventh generation has risen to fight back against these diseases and hardships to bring back the culture and honor their ancestors. The Ghost Riders follows the organizers and riders as they embark on a 300-mile spiritual journey on horseback to honor themselves and the tribe. The ride is known as The Chief Big Foot Memorial Ride and follows the same path as the ancestors walked before being massacred. It would not be a Lakota ceremony without some suffering, so of course it takes place during the toughest time, winter. With temperatures on the average below zero, ground blizzards and the treacherous cliffs of the badlands the riders suffer through the two weeks on horseback. But with each day come a reason for riding, a reason for praying, a reason for continuing. Shot in a cinema verite' style, The Ghost Riders gives the audience an up close and intimate view of life on the Pine Ridge Reservation, that which only a Native filmmaker could be allowed to accomplish. 


Copyright © All rights reserved 2008-2010. No part of this publication can be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording, or otherwise without the prior written permission of the copyright owner.